(MFA) The Historical Context of Music Lesson

The Historical Context of Music

Prehistoric Music

Prehistoric music can only be theorized based on findings from Paleolithic archaeology sites. Flutes are often discovered, carved from bones in which lateral holes have been pierced; these are thought to have been blown at one end. The Divje Babe flute, carved from a cave bear femur, is thought to be at least 40,000 years old. Instruments such as the seven-holed flute and various types of stringed instruments have been recovered from the Indus Valley Civilization archaeological sites. India has one of the oldest musical traditions in the world—references to Indian classical music (marga) are found in the Vedas, ancient scriptures of the Hindu tradition. The earliest and largest collection of prehistoric musical instruments was found in China and dates back to between 7000 and 6600 BC. The Hurrian song, found on clay tablets that date back to approximately 1400 BC, is the oldest surviving notated work of music.

Ancient Egypt

Musicians of Amun, Tomb of Nakht, 18th Dynasty, Western Thebes

The ancient Egyptians credited one of their gods, Thoth, with the invention of music, with Osiris in turn used as part of his effort to civilize the world. The earliest material and representational evidence of Egyptian musical instruments dates to the Predynastic period, but the evidence is more securely attested in the Old Kingdom when harps, flutes and double clarinets were played. Percussion instruments, lyres and lutes were added to orchestras by the Middle Kingdom. Cymbals frequently accompanied music and dance, much as they still do in Egypt today. Egyptian folk music is the closest contemporary music genre to ancient Egyptian music, having preserved many of its features, rhythms and instruments.

Asian Cultures

Indian women dressed in regional attire playing a variety of musical instruments popular in different parts of India

Indian classical music is one of the oldest musical traditions in the world. The Indus Valley civilization has sculptures that show dance and old musical instruments, like the seven holed flute. Various types of stringed instruments and drums have been discovered by excavations. An ancient Indian collection of music (Rigveda) has elements of present Indian music, with a musical notation to denote the meter and the mode of chanting. Indian classical music (marga) is monophonic, and based on a single melody line (or raga) is rhythmically organized.

Asian music covers the music cultures of Arabia, Central Asia, East Asia, South Asia, and Southeast Asia. Chinese classical music, the traditional art or court music of China, has a history stretching over around three thousand years. It has its own unique systems of musical notation, as well as musical tuning and pitch, musical instruments and styles or musical genres. Chinese music is pentatonic-diatonic, having a scale of twelve notes to an octave as does European-influenced music. Persian music is the music of Persia and Persian language countries.

References in the Bible

"David with his harp" from Paris Psalter, c. 960

Music and theatre scholars studying the history and anthropology of Semitic and early Judeo-Christian culture have discovered common links in theatrical and musical activity between the classical cultures of the Hebrews and those of later Greeks and Romans. The common area of performance is found in a "social phenomenon called litany," a form of prayer consisting of a series of invocations or supplications. The Journal of Religion and Theatre notes that among the earliest forms of litany, "Hebrew litany was accompanied by a rich musical tradition:"

"While Genesis 4.21 identifies Jubal as the 'father of all such as handle the harp and pipe,' the Pentateuch is nearly silent about the practice and instruction of music in the early life of Israel. Then, in I Samuel 10 and the texts that follow, a curious thing happens. 'One finds in the biblical text,' writes Alfred Sendrey, 'a sudden and unexplained upsurge of large choirs and orchestras, consisting of thoroughly organized and trained musical groups, which would be virtually inconceivable without lengthy, methodical preparation.' This has led some scholars to believe that the prophet Samuel was the patriarch of a school, which taught not only prophets and holy men, but also sacred-rite musicians. This public music school, perhaps the earliest in recorded history, was not restricted to a priestly class—which is how the shepherd boy David appears on the scene as a minstrel to King Saul."

Antiquity

Western cultures have had a major influence on the development of music. The history of the music of the Western cultures can be traced back to Ancient Greek times.

Ancient Greece

Music was an important part of social and cultural life in Ancient Greece. Musicians and singers played a prominent role in Greek theater. Mixed-gender choruses performed for entertainment, celebration, and spiritual ceremonies. Instruments included the double-reed aulos and a plucked string instrument, the lyre. Music was an important part of education, and boys were taught music starting at age six. Greek musical literacy created a flowering of music development. Greek music theory included the Greek musical modes that eventually became the basis for Western religious and classical music. Later, influences from the Roman Empire, Eastern Europe, and the Byzantine Empire changed Greek music.

The first work written on the subject of music theory is Harmonika Stoicheia.

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