Roman Numeral Analysis and Figured Bass Microlesson

Introduction to Roman Numeral Analysis and Figured Bass

In the previous sections, you were introduced to Roman Numeral Analysis in major and minor keys in root position. Now we will examine Roman Numeral Analysis for identifying chords when in an inversion by using figured bass.

Lesson Key Terms:

Natural Minor Scales: This scale uses the same tonic as the major scale. To create a natural minor scale, use lowered third; lowered sixth; and lowered seventh degrees from the major scale.
Harmonic Minor Scale: The harmonic minor scale has two lowered scale degrees, the 3rd degree and 6th degree. Using the major scale as a foundation, lower the 3rd and 6th degrees of the major scale. The result is the Harmonic Minor Scale.
Melodic Minor Scale: This is the most unusual minor scale because it has distinct parts for ascending and descending. When ascending, the Melodic Minor Scale only lowers the 3^rd scale degree; but when descending, the 3^rd, 6^th, and 7^th degrees are lowered, which is technically using the Natural Minor Scale.

Explore

Watch the video presentation below to learn more about this topic. Prepare to take notes and use the navigational buttons at the bottom of the video to pause, rewind, or move forward. Move forward to the challenge section to review your understanding.

Click here to download a printable copy of the presentation video.

Challenge

Roman Numeral Analysis and Figured Bass Challenge Review

See how well you understand the content for this lesson by participating in the self-assessment activity below. Review the 'rules' on the first slide. Then, click the arrow in the lower right-hand corner to move on to the activity.

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